Documentary Magazine, July 2025
”We Do Need Art In Order To Reach Each Other” : Tatyana Tenenbaum Reconfigures Choreographer Hadar Ahuvia’s Dance in ‘Everything You Have Is Yours’
Interview by Carly Mattox
Filmmaker Magazine, May 2025
“The Film Asserts a Clear Political Analysis of Zionism, and Simultaneously Does So While Asserting That No Human Beings are Villains”: Tatyana Tenenbaum on Everything You Have Is Yours
Interview by Lauren Wissot
Jewish Currents, April 2025
Shabbat Reading List: Everything You Have Is Yours
Review by Alisa Solomon
The Brooklyn Rail, November 2024
Everything You Have Is Yours
Review by Candice Thompson
Reviews & Press
The Popcorn List, April 2025
Your FIRST look at The Popcorn List 2025 Films!—
Curated by Lela Meadow-Conner
IndieWire, April 2025
Festival Programmers Pick Their 19 Favorite New Films Still in Need of Distribution
Filmmaker Magazine, April 2025
The Popcorn List Releases Second Annual Survey of 19 Recommended Feature Films
Deadline, October 2024
DOC NYC Announces 15th Anniversary Lineup
Deadline, May 2020
Independent Filmmaker Project Labs Going Virtual For 2020; 26 Projects Set For Three Programs
Trades
CultureBot, July 2019
Hadar Ahuvia and Tatyana Tenenbaum in conversation
Essay by Tatyana Tenenbaum commissioned by Baryshnikov Arts Center on Hadar Ahuvia’s process of making her dance piece The Dances Are For Us which is featured in the film.
New York Times, February 2018
Her Roots Are Tangled in Folk Dance and Israel
Preview in the New York Times by Siobhan Burke of choreographer Hadar Ahuvia’s work Everything you have is yours? which is featured in the film.
Infinite Body, January 2018
Must see, last chance: Hadar Ahuvia at 14th StreetY
Review on Infinite Body Eva Yaa Asantewaa of choreographer Hadar Ahuvia’s work Everything you have is yours? which is featured in the film.
Infinite Body, February 2018
The Dances Are for Us
Essay by choreographer Hadar Ahuvia on Infinite Body about her process of making her dance piece Everything you have is yours? which is featured in the film.